Showing posts with label Jim O'Rourke. Show all posts
Showing posts with label Jim O'Rourke. Show all posts

Monday, 23 November 2015

ALBUMS OF 2015

12 months, countless albums and endless deliberating, but only 10 of this year's releases can earn the title of Album Of The Year.
After much consideration and a few last minute entries it's finally here- our Albums Of 2015

Pinkshinyultrablast// Everything Else Matters


Despite being born out of a post-Ride/ post-MBV universe the Russian quintet seem surprisingly free from the shackles imposed by their shoegazing forefathers.
Building on layers of feedback-drenched guitars with shimmering synths and dreamy vocals they create a sound that's less gazing down at your shoes and more staring up at the stratosphere. 

Jessica Pratt// On Your Own Love Again


Recorded over 2 years at home in LA and San Francisco, there's a certain nostalgic charm to the 27 year old's ethereal folk that's reminiscent of Nick Drake and Joni Mitchell, tape hiss included.  

Steve Reich// Music For 18 Musicians: Ensemble Signal


Ensemble Signal is a minimalist masterpiece compromising of 14 similar-sounding tracks that seep seamlessly into one another.
Built around crescendos and decrescendos, often of single notes, the instruments rise and set like the sun, the sound of a city waking up.

Diat// Positive Energy

Despite their debut album being entitled Positive Energy Diat are not a happy bunch, yet the Berlin-based band manage to turn their depression into a raucous post-punk racket that's impossible to not compare to Joy Division. 

Ought// Sun Coming Down



On their 2014 debut Montreal punks Ought marked themselves out as ones to watch, and it's the anxiety to live up to this billing which fuels the angsty alt-rock of it's follow up, whilst still maintaining comparisons to their post-punk counterparts The Fall. 

V/A// Cease & Desist: DIY! (Classics From The Post Punk Era 1978-1982)


Compiling cult classics from 1978-82 Cease & Desist is a masterclass in doing it yourself.
From Break The Ice At Parties jazz-funk mash up, to the electro-pop of Private Plane, it's this year's most ingenious and entertaining release that will make assembling an IKEA flatpack look like fun.

Protmartyr// The Agent Intellect


2014's second album Under The Colour Of Official Right cropped up on many of last year's end of year polls, and the Detroit punks look set to do the same with this year's third effort.
Boasting angular post-punk, underpinning frontman Joe Casey's Mark E Smith-esque drawl it's as bleak and abrasive as we've come to expect.

Four Tet// Morning/ Evening


Kieran Hebden's eighth album is an album of journeys. From the literal journey of making chappatis with his grandma to making music in an East London club, to the metaphorical journey that transports the listener from the earth to it's celestial peak, told through the producer's brand of expansive and atmospheric synths.

Institute// Catharsis



If albums were named after how they made you feel then Austin punks Institute wouldn't be far wrong with Catharsis. It's frenzied guitars and tub-thumping drums providing the listener with pure punk release.

Jim O' Rourke// Simple Songs



Simple Songs is Jim O' Rourke's first pop album since 2001, yet it's clear he's not lost his knack for a melody whilst he's been away. A melting pot of classic pop elements and more hooks than a butchers kitchen, all backed by the Chicago producers trademark dark humour and wit. 

Many of the albums on this list are available from The Music Exchange, show your support for your local record store and buy independently 



Sunday, 21 June 2015

Albums Of 2015... So Far

We're halfway through 2015, but which albums have already made it on our end of year list?

 Alabama Shakes// Sound & Colour

On their 2012 debut Boys & Girls Deep South quartet Alabama Shakes marked themselves out as blues-soul revivalists.  It's follow up builds on those influences with colossal riffs and psychedelic soundscapes, whilst still maintaining frontwoman Brittany Howard's trademark pipes.

Courtney Barnett// Sometimes I Sit And Think Sometimes I Just Think

The Australian slacker's long awaited and highly anticipated debut album didn't disappoint. Plugged in, the stream of conciousness lyrics of the likes of Pedestrian At Best and Dead Fox sound even more thrilling, channelling grunge and garage rock.  

 Father John Misty// I Love You, Honeybear

On his second album the former Fleet Fox writes the ultimate folk rom-com, his ingenious lyrics coming on like a more loved-up Morrissey "I just love the kind of woman who can walk over a man/I mean like a god damn marching band." If you're not a fan of schmaltzy ballads look away now.

 Hot Chip// Why Make Sense?

You wouldn't normally associate five geeks with making dancefloor fillers, yet on their sixth album Why Make Sense? London quintet Hot Chip continue to defy convention with their brand of house and funk in-debt electro-pop.

 Jessica Pratt// On Your Own Love Again

Recorded over 2 years at home in LA and San Francisco, there's a certain nostalgic charm to the 27 year old's brand of ethereal folk that's reminiscent of Nick Drake and Joni Mitchell, tape hiss included.

 Jim O'Rourke// Simple Songs

Simple Songs is Jim O'Rourke's first pop album since 2001 and he certainly milks it. A melting pot of classic pop elements and more hooks than a butcher's kitchen, all backed by the Chicago producer's trademark dark humour and wit.

 Sufjan Stevens// Carrie & Lowell

Don't be fooled by opening track Death With Dignity's gently picked guitar, the follow up to the Detroit singer-songwriter's sixth album, 2010's Age Of Adz is his darkest yet. Without it's predecessor's fanfare it's both a haunting and melancholic listen, punctuated by raw emotion. 

 Sleater Kinney// No Cities To Love

In January the Olympia trio returned with the long overdue follow up to 2005's The Woods, and if you were in any doubt that they'd lost their feminist energy whilst away, you needn't have worried. No Cities To Love is full of the kind of riot grrrl angst that made them the cult concern they are today.

Jamie xx// In Colour

The London producer's debut solo album complies over seven years worth of material, calling on grime, D&B samples and The XX-esque minimal beats to provide eleven chilled-out dance anthems just in time for the festival season.